With this song, we temporarily left our usual concept of hard-swinging
transistor jazz. While the original song could be viewed as a "jazz
classic", we chose to make a "Düsseldorfian" version.
How would Night and Day have sounded if the boys in the Kling Klang studio
had recorded it, we asked ourselves, and the answer immediately came in
form of this song.
Nacht und Tag is also an exception to our usual principles in two ways:
it's not recorded in our usual studio but elsewhere, with different recording
equipment, and there isn't a single analog thing in sight - every sound
is digital, and sometimes even software-based.
Various plug-in effects for reverb, delay, phaser, etc.
Interesting Facts:
The beatiful lead sound in the beginning is played on the Akai S2000,
with a sawtooth wave as "sample". The glissando effects appeared
spontaneously when the player applied pitch bend with a very large range.
A nice side effect from the downsides of digital technology!