Nacht und Tag - The Düsseldorfian Abomination

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Background:

With this song, we temporarily left our usual concept of hard-swinging transistor jazz. While the original song could be viewed as a "jazz classic", we chose to make a "Düsseldorfian" version. How would Night and Day have sounded if the boys in the Kling Klang studio had recorded it, we asked ourselves, and the answer immediately came in form of this song.

Nacht und Tag is also an exception to our usual principles in two ways: it's not recorded in our usual studio but elsewhere, with different recording equipment, and there isn't a single analog thing in sight - every sound is digital, and sometimes even software-based.

Sound Sources:

ReBirth 2.01 w. SHotQ Jazz Machine : Drums

Akai S2000 : Staccato tones, bass sequence, mellow lead

Native Instruments Reaktor : Filter Flutter

Kawai K1R : Strings, Vocoder carrier

Clavia Nord Lead : Deep arpeggio, space lead and pad

Native Instruments Pro-52 : Funky Bass, Vocoder carrier

Opcode Fusion Vocoder : Vocals

Clavia Micro Modular : Filter FX, Gated Pad, Octave Bass, Tinkly

Other Equipment:

Cubase VST 3.72 Windows

AKG D-90 microphone

Various plug-in effects for reverb, delay, phaser, etc.

 

Interesting Facts:

The beatiful lead sound in the beginning is played on the Akai S2000, with a sawtooth wave as "sample". The glissando effects appeared spontaneously when the player applied pitch bend with a very large range. A nice side effect from the downsides of digital technology!

 

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